I need help creating a thesis and an outline on Collision of Ancient and Modern in Fantasy Literature. Prepare this assignment according to the guidelines found in the APA Style Guide. An abstract is required. The roots of the fear are firmly planted in their culture and it has transcended from generation to generation through word of mouth. This fear represents the primaeval and it is gets reflected in the literature of the particular era. A generation is able to understand all its implications clearly because it can relate to the fear very well from the stories they heard during their childhood or discussed in the classrooms. Thus one can see that the representation of evil in fantasies originate from mans primaeval fear of the unknown and his inevitable need to fight it, and it becomes a collision of the ancient and modern. The influences of literature can be extracted from the framework of any particular era, for they will transgress the divide borrowing something from the past and lending new ideas to the future. The genuine characteristics in the literature of a given period should be observed in conjunction with understanding the social factors existing at that time. While considering the Fantasy literature from19th century, one will find certain elements existing in continuity to the past. Thus to say any age is absolutely immune to the influence of preceding ages is unrealistic. The topical discussion of the collision of ancient and modern in fantasy literature requires an essential awareness of the undercurrents of social, political, and religious factors that fashioned life in general during those times. Fantasy worlds are based on a set of natural laws different from those we are bound by on earth. According to Scott, If you have people do some magic, impossible thing by stroking a talisman or praying to a tree, it is Fantasy. if they do the same thing by pressing a button or climbing inside a machine, it is Science Fiction.(1990). Defining fantasy entails difficulties since there are several streams that cognate from the fountainhead, such as dark fantasy, light fantasy, contemporary fantasy, heroic fantasy, traditional fantasy, feminist fantasy, and other unclassifiable fantasies. . .
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